Well, I've finished the prologue of my new webcomic, 13 pages total. It's complete with a new domain name, at therubynation.com . Similar to its predecessor, chapters will be followed by text pieces, so the next few weeks will see the start of the "Ruby in Therapy" interview series.
I designed the prologue to start the series with a bang, to go with an action sequence so readers immediately want to find out what's happening. If you don't understand the entire story and didn't read Ruby's World,, it'll reveal itself That said, there are some things that aren't immediately apparent from the pages, so I'll offer these useful notes;
1.) The characters wear superhero costumes now-- kind of. Ruby's dressed similarly to usual, but wearing a utility belt with the Ruby Nation Insignia on the buckle, while Jiro has a spy catsuit with a ninja scarf and combat webbing. These are designed more as custom military uniforms than superhero costumes, as I honestly hate spandex-- it's too often used as simply flat colors with no texture, rendering superheroes as nudes in body paint. Here it's more like stylized body armor, adding a bit of self-conscious fashion and accessorizing(since these are teenaged characters, looking cool is important to them, and is one of the few things they have left).
Think the paramilitary superhero look of the Ultimates and Metal Gear Solid, mixed with the individualized bling of Tetsuya Nomura (designer for Final Fantasy and Kingdom Hearts).
2.) The post-human antagonist her is named Moray. The name comes from the moray eel, a type of serpentine-looking fish with strong jaws and sharp teeth. I absolutely love animal motifs for superhuman characters, especially more obscure animals. Since Moray's ability involves columns of nanofilament bursting from his hands and enveloping/shredding everything they catch, it seems appropriate. As for more about him and his origins...you'll have to wait and see.
3.) There will be new characters on Ruby's side, as well. One of the strongest themes of the Ruby Saga is the challenge of maintaining one's ideals in a fallen world, to be optimistic despite all evidence to the contrary. The prologue sets up the inherent fatalism of the world, where there are no options for the characters that don't involve someone dying and someone grieving. This will be further examined in the coming chapters, because while it may be the way things are, is it necessarily the way things have to be?